Tuesday, January 14, 2014

My Top Films of 2013.

As you know, I'm quite an avid movie watcher. Movie-goer. Film fanatic. If you meet me in the street, start talking about a movie and we'll be there a while. I'll invite you to the nearest coffee spot. Maybe we'll have a piece of pie. I could talk about movies for a bit. The below was a hard list to curate and rate. There were a lot of movies I liked in 2013, and some days I like one movie more than another. However, I'm pretty solid in this list - especially after watching my #1 film the other night again, for the third time (first time on DVD), this time with Jesse who hadn't seen it yet. I exclaimed at the end, "This is it! This is definitely the best movie I saw in 2013!"



01 BEFORE MIDNIGHT

I've long loved the previous two films in this series -- I made Jesse go with me on a walking tour of Before Sunset when we went to Paris last year. I plotted it out myself. I saw Before Midnight twice in theaters; one time by myself in which I cried a whole lot, and the second time with two girlfriends in which I laughed a lot. Last week Jesse and I watched the DVD together, when I was wondering which movie I loved the most this year. We watched the movie about Jesse and Celine, and we paused at times because we felt we had the need to say something right at that moment. Whether it was about the relationship we were seeing displayed or about a certain line they said or just an idea mentioned, Jesse and I stopped and talked about it. There's power in a script that can do that. It was the best script of 2013. Which isn't to say that that was the only superb thing about it -- the directing, cinematography, setting, and the actor/screenwriters themselves are all perfection. Watch Before Sunrise, Before Sunset and then this - perhaps the best trilogy ever made.



02 12 YEARS A SLAVE

I've long heralded the amazing work of director Steve McQueen - from first witnessing his debut film Hunger and being completely awestruck, and then once again marveling at his perspective and hauntingly visceral work in Shame. From that first movie he was already a GREAT director. Here is an important story; I went into the movie telling myself that at least the main character depicted was able to escape long enough to write down his story for publication. The film is unflinching and needn't be, because there's no reason to make a story like this easy for people to watch. This is a tale that people actually had to live. I've never seen a movie like this; it's a story of slavery from the point of a view of a slave (played by the best actor of the year, hands down, Chiwetel Ejiofor - nobody comes close), a rare story because slaves were not allowed to read and write. The narrative is ghastly, haunting, and superb. The acting across the board (including newcomer Lupita Nyong'o) are all at the same level of perfect. And of course, McQueen's visuals astound.



03 HER

I am so happy for filmmakers like Spike Jonze, who, like Michel Gondry, Charlie Kaufman, and to an extent P.T. Anderson, is able to create a film that is unlike anything else out there. I mean, it's essentially a sci-fi movie, but nobody would really categorize it so. He made a concept and plot that seems so weird on paper relatable. It starts with a future that's different, but doesn't seem so far off. We're all currently in relationships with our technology (just look around a restaurant these days - more than half of us are on our phones at any given moment), and this just takes it a bit further. The film is truly beautiful in how it looks, and what it says about love and intimacy and relationships.



04 FRANCES HA

This one took me a bit my surprise. I started watching it and I didn't even know if I liked it. But something happened a little ways in; I realized I was watching a movie that was not about the normal tropes evident in most movies about a young woman -- this wasn't a movie about said woman finding a guy. It was about herself, but also about her closest friendship. As someone with close girlfriends, all of whom I could not live without, Frances resonated with me. And that Greta Gerwig! I never got Greta Gerwig before this; I even went back and tried to watch her last collaboration with director Noah Baumbach, Greenberg, and that was terrible. But she co-wrote Frances Ha with him, and I can't wait for her next writing effort based on this. I loved the black-and-white filming, the harkening to French New Wave styles and Woody Allen, and I especially loved the script. It's a movie where you journey with this woman through her embarrassing, trying, and eye-rolling moments, and yet I loved her. Because maybe we haven't all been there, but, I get it. And you have to pay attention to that well-written script, because it all comes together in the end and I laughed giddily to myself as the credits rolled.



05 SHORT TERM 12

Just looking through stills of this movie to use with this post nearly made me weep as I recalled the film. The movie takes place at a foster care center for at-risk teens, and despite that setting, it never veers into that dreaded sentimentality. At its center, and its heart, is twenty-something supervisor Grace, played by Brie Larson (in an award-worthy performance - I'm hoping to see her name nominated on Thursday!). She takes care of the kids that come in more than she takes care of herself, and those teens have some gut-wrenching scenes of their own. The pacing is wonderful and I love the way it's shot; I'm looking forward to more from young writer/director Destin Cretton. If you haven't seen this, do yourself a favor.



06 GRAVITY

I'm not sure what much else I could say that everyone hasn't said already. Though the film was hyped - nobody lied. I rarely watch movies in 3D, but it was my only option at the time, and Alfonso Cuaron (like Ang Lee last year) was able to use the dated technology in an interesting, innovative way. Sandra Bullock once again proves her abilities as an exceptional actress - the woman can do drama and comedy effortlessly! At least it looks effortless. A film that felt like a true cinematic experience of sight and sound. The minimalism of the script was more intriguing than lacking to me, and I'm obviously someone that places a lot of esteem in a screenplay.



07 FRUITVALE STATION

Michael B. Jordan has had a great career so far in television - from The Wire to Friday Night Lights and with a memorable guest stint on Parenthood. His turn as Oscar Grant, a man shot and killed by the Oakland police a few years ago (no spoilers: the actual video footage of his accosting opens the film), marks the start of what I'm sure will be an illustrious career in film; he's brilliant. Octavia Spencer and Melonie Diaz are also great here. I remember the sounds in the theater as this movie ended: nobody was speaking, and there were only stifled sniffing of noses, and wet faces around me. My own face was shiny and tear-streaked. It's one of the most powerful films of the year.



08 SPRING BREAKERS

Yes, I loved this movie. I went into the film thinking, oh I am going to hate this. When the film began I thought, yes this is everything that I hate. And then I was laughing. I was enjoying myself. And then it gets darker without losing it's panache. It's about crime and women and youth culture but mostly it's about The American Dream. Hey, there's those antiheroes people love like Tony Soprano and Walter White, I'd say maybe Brit, Cotty, and Candy should be grouped alike. They get mixed up, they do what they want anyway, and it's all filmed in dazzling neon bursts. I didn't know Harmony Korine could make a good movie.



09 DON JON

This film had a small budget, but debut writer/director Joseph Gordon-Levitt packs a wallop of human behavior observation. I've always liked Gordon-Levitt as an actor, but I didn't know he had this in him. It's a great film that surprises continually; I enjoyed Scarlett Johansson and Julianne Moore in their roles immensely. My girlfriend and I walked home together after watching the movie talking about men and women these days, sex films and romantic comedies, and the role of the internet amongst it all - maybe a little similar to Her in that last respect regarding technology these days. But the best part of the movie? Where it ends up -- completely unexpected.



10 SIDE EFFECTS

Damn! Steven Soderbergh's last feature film?! I hope it ain't so, because I love that man's work. I love this film for what everybody thought it was going to be and what it ended up truly being. You think it's going to make this big serious condemnation and it's just so much more glossy and gleeful than that. Soderbergh was asking "Why so serious?" and I was enjoying his work. Here's an adult drama that keeps you guessing, and looks great to boot. The cast is wonderful as well, and I've never seen Jude Law act so well. I think Rooney Mara is still killing it with each role she gets, and I keep hoping that her and David Fincher will re-team for a sequel to The Girl with the Dragon Tattoo.

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Honorable Mentions: these are the movies I kept on putting in and taking out of my Top 10 and then were left off as I wrote this post (but could very well be considered in my Top 10 of 2013 at some other moment of reflection) --

BLUE IS THE WARMEST COLOR
ENOUGH SAID
THE HEAT
MUCH ADO ABOUT NOTHING


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Good stuff:

BLACKFISH
HUNGER GAMES: CATCHING FIRE
STAR TREK INTO DARKNESS
PRISONERS

UPSTREAM COLOR
THE CONJURING
ABOUT TIME
THOR: THE DARK WORLD
AMERICAN HUSTLE
IRON MAN 3
WORLD WAR Z
THIS IS THE END
PACIFIC RIM
WARM BODIES


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Just okay:

THE BLING RING
ROOM 237
ELYSIUM
ENDER'S GAME
THE EAST
NOW YOU SEE ME
47 RONIN
THE WORLD'S END
JACK THE GIANT SLAYER
WE STEAL SECRETS
MAMA

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Disappointments: films I held to a higher standard because of their directing or writing or acting pedigree and I failed to like --

BLUE JASMINE
STOKER
INSIDE LLEWYN DAVIS
THE WOLF OF WALL STREET
THE GREAT GATSBY

Sorry, Leo.

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The Worst.

MAN OF STEEL
CARRIE
THE PLACE BEYOND THE PINES

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The absolute worst movie of the entire year: ONLY GOD FORGIVES

I love debating with people who have differing film opinions than me. What a bleak world it would be if we all had the same opinions. I love conversations about Spring Breakers. But I seriously question anybody who defends Only God Forgives. I respect everyone's opinion, but this film barely respects human beings, acting, or narrative.

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What were some of your favorites of 2013?



Some of my past top film posts: 2007 | 2008 | 2009 | 2010 | 2011 | 2012

10 comments:

  1. Love this list, but I'm so curious. What disappointed you about Blue Jasmine?

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    1. I thought it was a completely joyless takedown of a woman... in light of all the news that's come out regarding Woody Allen and Mia Farrow, I hate it even more for the parallels of the condemnations he uses against Mia and his main character.

      Simone at Letterboxd reviewed it best: http://letterboxd.com/symonymm/film/blue-jasmine/

      Thanks for reading! :)

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  2. I LOVED Frances Ha. I suggested it to one of my friends and at first she said it looked to hipsterish but gave it a go and loved it too.

    Sadly my movie going was very lacking this year and I haven't seen anything else on this list. I have some catching up to do.

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    1. Frances Ha is such an interesting movie; it's very good but a lot of people can't get past the first half hour for some reason. Just reign in the second-hand embarassment, and watch it fly towards the end. I love it!!

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  3. I always love your end of the year lists! I rarely get to go to the movies as young children + husband with odd schedule = very little movie going, but my netflix queue is filled to the brim. I just added several movies you suggested, and I'm actually (finally, after weeks of staring it down in my queue) watching Frances Ha tonight.. The only other ones I've seen in your top 10 were Before Midnight, which you know I adored, and Side Effects. I wasn't sure if I would like Side Effects, but you're right, Rooney Mara is amazing, and I found myself thinking about it for days after, which is always a good thing. I have yet to introduce my husband to the Before trilogy. I'm so afraid that not only will he not love them the way I do, but he might not even like them. And then I may have to make some serious decisions about our relationship. Haha I jest. I may, however, show them to my bestie the next time he comes over. And if he doesn't like them, then I may have to reconsider our relationship as well. ; )

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    1. Thanks for reading, Lyndsey!! I hope you liked Frances Ha!!

      The Before... movies do work like that - afraid to share, lest someone be disappointed and you have no idea why! I shared them with Jesse before we went to Paris a couple of years ago, so he understood WHY I wanted to do the Before Sunset walking tour. Luckily, he loves them too. PHEW!

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  4. Jessica, I'm always excited to see both the overlap on our year end lists (which are usually significant) but also where we differ. I skipped out on Side Effects, but will have to go check it out now. Soderbergh is hit and miss for me. I've never been a big fan of Linklater's more recent work, but will have to give it a second chance.

    I loved Llewyn Davis from the start, and would encourage you to give it a second or even third chance, since I have heard from others that it does grow on you.

    HELL YES to Spring Breakers.

    Always great to see what you're up to.

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    1. Hey Trey! I suppose I'll have to watch Llewyn Davis one more time... though I really couldn't care enough about the guy, and felt bad for Carey Mulligan getting such a one-note role. Alas.

      Thanks for reading!! Always look forward to your year-end list as well!!

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  5. Just discovered your blog, but I wanted to pop in here with this comment --

    I love Before Sunrise and Before Sunset, but somehow I didn't even know they'd made a third one. I discovered it while I was perusing the Redbox website looking for something to rent, and I was initially put off because it had garnered AWFUL user reviews. Something like 1.5/5 stars.

    I clicked into the reviews to see what was so wrong and realized that most people had NO IDEA it was the third part in a series. They just ridiculed the film for being about middle aged people who just talk the whole time. It was really amusing to read.

    I still haven't gotten around to watching it, but I'm sure I won't be disappointed.

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    1. Hi Cherie! Welcome... I can't believe your story about people not understanding it's the third part in a series! It's definitely not stand-alone. You have to know the history to appreciate where Jesse and Celine are now. It's wondrous. Hope you enjoyed it! Thanks for reading.

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